CONTENTS
Part One Structure
Chapter 1 Plot
John Updike A & P
Graham Greene The Destructors
Chapter 2 Character
James Joyce Araby
Eudora Welty A Wom Path
Chapter 3 Setting and Atmosphere
Flannery O'Connor Everything That Rises Must
Converge
Doris Lessing The Old Chief Mshlanga
Chapter 4 Point of View
Frank O'Connor First Confession
John Cheever The Swimmer
Chapter 5 Theme
Kurt Vonnegut, Jr Harrison Bergeron
Richard Wilbur A Game of Catch
Chapter 6 Style, Tone and Mood
Nadine Gordimer The Train from Rhodesia
Tobias Wolff In the Garden of the North American
Martyrs
Chapter 7 Irony, Humor, Satire and Paradox
Shirley Jackson The Lottery
Bemard Malamud The Magic Barrel
Chapter 8 Symbol, Allegory, Fantasy and Absurdity
Ann Beattie Dwarf House
Donald Barthelme Some of Us Had Been Threatening
Our Friend Colby
Part Two Interpretation
Chapter 9 Moral-Philosophical Approach
Isaac Bashevis Singer Gimpel the Fool
Kay Boyle Astronomer's Wife
Chapter 10 Historical-Biographical Approach
Emest Hemingway Indian Camp
F Scott Fitzgerald Babylon Revisited
Chapter 11 Formalistic Approach
James Thurber The Secret Life of Walter Mitty
Saki (H H Munro) The Open Window
Chapter 12 Psychological Approach
William Faulkner A Rose for Emily
E. B. White The Second Tree from the Comer
Chapter 13 Mythological-Archetypal Approach
John Steinbeck The Snake
Harlan Ellison Shatterday
Chapter 14 Sociological Approach
Kate Chopin The Story of an Hour
D. H. Lawrence The Rocking-Horse Winner
Chapter 15 Structural-Semiotic Approach
Emest Hemingway A Very Short Story
Langston Hughes On the Road
Chapter 16 Reader-Response Approach
Gary Gildner Sleepy Time Gal
Grace Paley A Conversation with My Father
Appendixes
1. Glossary of Literary and Critical Terms
2. Referential Answers to the Questions
Bibliography
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