解析當(dāng)代英國：文學(xué)與文化研究

　　ThestudyofBriain-itshistory，geography，politics，economy，language，literatureandculture-hasbeenconductedbothinandoutsidetheclassroomofEnglishinChinaformanydecadesandevencenturise.Butsincelate1980s，BritishStudiseasaGrowinganddynamicinterdisciplinarysubjecthasbeengoingthroughdrasticchanges，powerfullymovingbeyondastudyofmainlycanonicalmasterpieces.Indees，thecomplexprocessesofglocalisation（globalisationandlocalisation）oftheeconomy，ofimages，ofdiscourses，andofrisksandproblemshavegivenrisetoanurgentneedtocrossgeographical，national，politicalandculturalaswellasdisciplinaryboundaries.Thisbookfeatures25essaysandreflectionsonBritish（mainlycontemporary）literaryandculturaltexts，engagingahostofcriticalperspectivesingender，postcolonial，humanistic，discourse，andculturalstudies.Theyareorganizedintofourparts，“DramaofShakespeareandBeyond，”“RevisitingBritishPoeticKingdom，”“RereadingTalesofBritain，”and“GlobalizingCultureandBritishCinema.”Generallyorspecifically，theseessaysandreflectionsaddressissuessuchasclass，gender，ethnicity，orienalism，aesthetic，social，political，andculturalidentity，indicatingthecomplexityofcontemporarydebatesoverBVritishwrittenandvisualconsturctionsoftheOtheraswellasthemselves.

　　MAO Slhlli received his B. A. and M. A. in English Language and Literature from the Guangzhou Institute of Foreign Languages （GIFL）， his second M. A. in Contemporary Literary Studies from the University of Lancaster， and his PhD in Comparative Literature （Mm Culture） from the University of Hong Kong. He taught "Modern British and American Drama，" "Comparative Culture，" "Film Culture" courses in the Department of English at GIFL （now Guangdong University of Foreign Studies [GDUFS]） from 1982 to 2001. Before joining the Department of Translation， HK Lingnan University， he -was Professor of English and Cultural Studies and dean of Faculty of English Language and Culture， GDUFS and Vice President of China-America Comparative Culture Association. He was the coordinator for the Sino-British Project "British Studies" from 1989-1994. He is presently teaching "Translating Cultures，" "Translation of Texts in Popular Culture" and "Translating Media." His publications include American Feminine Humor （trans. & ed. 1989）， Technolagising the Male Body-. British Cinema 1957-1987 （1999）， New Perspectives-. Contemporary Literary and Cultural Studies （ed. 2000） and Highlights of European Culture （forthcoming） . He has also published some papers in literary and cultural studies， and culture and translation studies. He is currently working on Literary Transformations in Postmodern Cultural Contexts and Chinese in Hollywood. His current research interests are： culture and translation， comparative culture and film studies.