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重塑中國農(nóng)民形象:趙本山小品研究

重塑中國農(nóng)民形象:趙本山小品研究

定 價:¥26.00

作 者: 陳開舉
出版社: 中山大學出版社
叢編項:
標 簽: 舞蹈

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ISBN: 9787306028709 出版時間: 2007-09-01 包裝: 平裝
開本: 32開 頁數(shù): 299 字數(shù):  

內(nèi)容簡介

  《重塑中國農(nóng)民形象:趙本山小品研究(1995-2000年)》運用后殖民研究、話語權力、大眾文化、話語權、弱勢群體研究等文化研究理論,以及語用學中的話語幽默、認知語境、關聯(lián)等理論,對趙本山等人通過小品塑造中國農(nóng)民形象這一文化現(xiàn)象進行了研究。傳統(tǒng)中國文化作品中的農(nóng)民形象多是負面的。而趙本山1995-2000年間在央視春節(jié)聯(lián)歡晚會上演的系列小品,從正面的角度全面重塑了中國農(nóng)民形象,具有重要的文化意義。

作者簡介

  陳開舉,男,土家族,博士,副教授,碩士生導師,1969年生于湖北省巴東縣?,F(xiàn)任教于廣東外語外貿(mào)大學。1991年畢業(yè)于華中師范大學英語系,獲英語語言文學學士學位;1994畢業(yè)于廣州外國語學院,獲語言學與應用語言學專業(yè)碩士學位;2006年畢業(yè)于廣東外語外貿(mào)大學,獲語言與文化專業(yè)博士學位。主要研究方向:文化研究、語用學、英語教學。近年來已在《現(xiàn)代外語》等多種學術刊物上發(fā)表論文二十余篇,編寫教材兩部。

圖書目錄

Introduction: Interrogating Images of Chinese Peasantry
I Chinese Peasantry Presented in Traditional Chinese Culture
1 Images of Peasantry in The Four Books
2 Images of Peasantry in Chinese Idioms/Fables
3 Images of Peasantry in Other Literary Works
4 Literature on Peasants' Insurgence
5 Images of Peasantry in Popular Culture
II Power in Popular Culture and Branding Characteristics
1 Current State of Cultural Studies
2 Mechanisms of Popular Culture
(1) Language
(2) Contradictions and Complexity
(3) Conformity versus Subversion
(4) Humor, Guerrilla Strategy, and Appropriation
(5) Setting, Context, Theme
3 A Brief Account of Zhao Benshan's Comic Sketches
III Methodology
IV Structure
V Selection
Chapter One: Articulating for the Chinese Peasants
I Power and Representation: Images and Stereotypes
II Zhao's CSs as Power Front for the Peasants
III Significant Themes of Zhao' s CSs
1 Aspects of Amelioration and Brightness of Peasant Life
2 Unfavorable Images of Peasants
IV General Strategies in Zhao's CSs
Chapter Two: The Linguistic Complexity
I Dialect and Colloquialism: Micro Narration for
Macro Culture
II Humor: Shortcut in Confrontations
III Tones, Intonation, and Purposeful Misuse of Language
IV Governing Principle: Relevance
V Linguistic Power: Driving Toward the Goal
Chapter Three: Cultural Ambivalence
I Contexts: Ideological and Cultural Implications
II Conformity: Endorsing Ontological Ideologies
III Subversion: Empowering the Powerless
IV Romanticizing the Margins
Chapter Four: Can the Chinese Peasants Speak?
I Preconditions for Effective Articulation:
Language and Knowledge
II Can the Chinese Peasants Speak?
III Can Zhao Speak for the Chinese Peasants?
laslon
Bibliography
References in English
References in Chinese
Major Films and Websites
Appendix A: Three of the Quoted Fables and Idioms
I The Foolish Old Man and the Wise Man
II The Farmer Who Abandoned His Cattle
III The Rich Man Who Wanted One More Sheep
Appendix B: A Brief CV of Zhao Benshan and His
Major Works
Appendix C: Scripts for Four of Zhao's Comic Sketches
I紅高粱模特隊 (1997)
(Red Sorghum Models)
II 拜年 (1998)
(Spring Festival Call)
III 昨天、今天、明天 (1999)
(Yesterday, Today, and Tomorrow)
IV 鐘點工 (2000)
(Odd Job)

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