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寫作就是施咒:伊什梅爾·里德后現(xiàn)代小說戲仿藝術

寫作就是施咒:伊什梅爾·里德后現(xiàn)代小說戲仿藝術

定 價:¥18.00

作 者: 林元富 著
出版社: 廈門大學出版社
叢編項: 美國后現(xiàn)代小說論叢
標 簽: 文學理論

ISBN: 9787561531310 出版時間: 2008-11-01 包裝: 平裝
開本: 大32開 頁數(shù): 244 字數(shù):  

內容簡介

  這部專著是林元富同志根據(jù)他的博士學位論文《論伊什梅爾·里德后現(xiàn)代小說戲仿藝術》修訂而成的。它是我國第一部系統(tǒng)研究美國黑人作家伊什梅爾·里德的專著,具有較高的學術價值和現(xiàn)實意義。它有力地填補了我國學界里德研究的空白。

作者簡介

  林元富(1963.11-),男,漢族,福建泉州泉港人。1985年畢業(yè)于福建師范大學外語系,獲學士學位,2001年獲碩士學位;2008年獲廈門大學外文學院英語語言文學專業(yè)博士學位。現(xiàn)為福建師范大學外國語學院副教授、碩士生導師、英語系主任,擔任本科與碩士研究生的《英美文學》課程教學。主要研究方向為美國后現(xiàn)代主義小說、黑人小說和當代英美文論,獨立完成或參與多項省級社科項目。2001年以來已在《外國文學》、《外國文學研究》等核心刊物上發(fā)表論文10余篇。社會兼職:福建省外文學會副秘書長、《外國文學研究》理事。

圖書目錄


List of Abbreviations
Introduction
 A. Ishmael Reed and the Literary Tokenism
 B. Ishmael Reed and His Works
 C. Ishmael Reed and His Critics
 D. Reed Study in China and the Framework of the Present Study
Chapter 1 Satire's Edge: Ishmael Reed and the Postmodernist Parody
 A. Postmodernist Parody as Pastiehe--Reedian parody in Fredrie Jameson's Model
  1. Pastiche, Schizophrenia and the Loss of Historicity
  2. Simulacra, Historical Fiction and Crisis in Historicity
  3. Reification, Bricolage, and the Random Play of Signifiers
  4. Pastiche and Textual Play in Ishmael Reed's Fiction
 B. Postmodernist Parody as "Double-Coded" Paradoxm
  Reedian Parody in Linda Hutcheon's Model 
  1. A Poetics of Paradox and the Representation of History
  2. Historiographic Metafiction and the Problematization of History
  3. Postmodernist Parody and Its Double-Coded Politics
  4. Parody and Cultural Critique in Ishmael Reed's Fiction
 C. Towards a Pluralizing Interpretation of Postm0dernist Parody
Chapter 2 The Black Cowboy in the Marlboro World: Ishmael Reed's Parody of the American Western
 A. Generic Conventions of the American Western
 B. Parodic Transgressions in Yellow Back Radio Broke-Down
  1. Narrative Innovation and Cultural Rewriting
  2. The Apocryphal History and the Triumph of Voodoo
Chapter 3 The Voodoo Houngan on the Case:Ishmael Reed's Parody of the Detective Fiction
A. Detective Fiction and Its Generic Conventions
B. Detective Fiction and the Postmodernist Proliferation of the Anti-Detective Fiction
C. Detective Fiction and Its Revision by the African American Novelists
D. Mumbo Jumbo as a Text of Black Anti-Detective Fiction
1. The Elusive Mystery, the Missing Text and the Cuhural Connotation of the Crime
2. The HooDoo Trickster Detective Persona and His Metaphysical Detection of History
3. The "Amphibious" Text and the "Game" of Decoding
Chapter 4 The Black Raven in the South: Ishmael Reed's Revision of the Slave Narrative
A. The Slave Narrative and Its Paradigmatic Gestures
B. The Slave Narrative and Its Contemporary Revision the Neo-Slave Narrative
C. Flight to Canada and Its Revision of the Slave Narrative
1. Parodic Revision and Reed's Rewriting of Antebellum History
2. Character Reversal and Reed's Reexamination of the Dynamics of Slavery and Freedom
……
Chapter 5 The Black Junior Professor Amidst the Cultural Wars:Ishmael Reed's Parody of the Academic Fiction
Conclusion
Works Cited
伊什梅爾·里德生平大事記
后記

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