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九十年代美國(guó)情景喜劇中的種族性再現(xiàn)

九十年代美國(guó)情景喜劇中的種族性再現(xiàn)

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作 者: 彭啟貴 著
出版社: 中山大學(xué)出版社
叢編項(xiàng): 當(dāng)代文化研究新論叢
標(biāo) 簽: 影視理論

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ISBN: 9787306032720 出版時(shí)間: 2009-03-01 包裝: 平裝
開(kāi)本: 大32開(kāi) 頁(yè)數(shù): 336 字?jǐn)?shù):  

內(nèi)容簡(jiǎn)介

  情景喜劇是美國(guó)經(jīng)久不衰、最受歡迎的電視節(jié)目之一。盡管如此,情景喜劇卻沒(méi)有受到評(píng)論界足夠的重視?!毒攀甏绹?guó)情景喜劇中的種族性再現(xiàn)》從后殖民的視角,綜合話(huà)語(yǔ)分析及符號(hào)學(xué)理論,定量分析與定性分析相結(jié)合,對(duì)20世紀(jì)90年代一些最有影響的黑人情景喜劇、亞裔人情景喜劇、白人情景喜劇進(jìn)行了深入的探討。研究發(fā)現(xiàn),90年代情景喜劇中的種族性再現(xiàn)是各種社會(huì)力量角逐的結(jié)果,是多種不同聲音競(jìng)爭(zhēng)話(huà)語(yǔ)權(quán)的產(chǎn)物。90年代情景喜劇深深地打上了白人至、父權(quán)為中心、資本主義的主流意識(shí)形態(tài)的烙印。情景喜劇是不同種族再現(xiàn)其存在、爭(zhēng)奪其意義與快樂(lè)的空間、場(chǎng)所。

作者簡(jiǎn)介

  彭啟貴,博士,副教授。四川安縣人。廣東外語(yǔ)外貿(mào)大學(xué)國(guó)際商務(wù)英語(yǔ)學(xué)院教師。1987年畢業(yè)于西南師范大學(xué)外語(yǔ)系,獲學(xué)士學(xué)位。1992年畢業(yè)于廣州外國(guó)語(yǔ)學(xué)院,獲碩士學(xué)位。2008年畢業(yè)于廣東外語(yǔ)外貿(mào)大學(xué),獲博士學(xué)位。研究方向包括比較文化、大眾文化、英語(yǔ)教學(xué)。曾在《四川師范學(xué)院學(xué)報(bào)》、《中國(guó)電視》、《廣東外語(yǔ)外貿(mào)大學(xué)學(xué)報(bào)》等發(fā)表論文十余篇,編寫(xiě)教材兩部。

圖書(shū)目錄

Chapter 1 Introduction: Approaching Sitcom Representation
1.1 Taking Sitcoms Seriously
1.2 Theoretical Framework
1.2.1 Televisual Text, Audience and Discourse
1.2.2 Theories of Comedy: Aristotle, Kant and Freud
1.2.3 Representations of Ethnicity
1.3 Methodology
1.4 Structure
1.5 Selection of Texts
Chapter 2 The Making of Sitcom
2.1 What is Sitcom?
2.2 Characteristics of Sitcom
2.3 Types of Siteom
2.3.1 Domestic and Non-domestic Sitcoms
2.3.2 Family and Workplace Sitcoms
2.3.3 Actcom, Domcom and Dramedy
2.4 Ideology in Sitcom
Chapter 3 Ethnicity in American Sitcoms from 1950s to
3.1 Colors in Siteom
3.1.1 1950s: Appearance of Colors
3.1.2 1960s: Dis-appearance of Colors
3.1.3 1970s : Return of Colors
3.1.4 1980s: Celebrating Color Black
3.2 Major Features of Representations in Siteoms
3.2.1 Domination of Whiteness
3.2.2 Black and White Binary
3.2.3 Negative Images
3.2.4 Ambivalence in Ethnic Discourse
3.3 Politics of Representation
3.3.1 Constructing Positive Images
3.3.2 (Cultural) Assimilation
3.3.3 Living with Differences
Chapter 4 Representing Ethnidty in Non-white American Sitcoms in the 1990s
4.1 The 1990s: A Different World?
4.1.1 General Social Political Context
4.1.2 Demographic Growth and Non-white Spending
4.1.3 Television Industry
4.2 Representations of Ethnicity in Non-white Sitcoms
4.2.1 Black Sitcoms
4.2.1.1 Commercial Networks Vying for the Market
4.2.1.2 Black's Presence and Portraits
4.2.1.3 Multiplicity/Diversity/Heterogeneity in Representing Blackness
4.2.2 Asian American Sitcoms
4.2.2.1 Asian Americans in the 1990s
4.2.2.2 Televisual Representations of Asian Americans
4.2.2.3 All-American Girl
4.2.3 Invisibility of Hispanic and Native American Sitcoms
Chapter 5 Representing "the Other" in White Sitcoms: A Quantitative Study of Seinfeld and Friends
5.1 Stories of the Whites: Plot Summary of Seinfeld and Friends
5.1.1 Seinfeld: A Show About Nothing
5.1.2 Friends : A Story of Friendship and More
5.2 Methodology
5.3 Categorization
5.3.1 Race
5.3.2 Gender
5.3.3 Profession
5.3.4 Class
5.3.5 Name and Articulation
5.3.6 Personal Relations
5.4 Results and Discussion
5.4.1 White Domination
5.4.2 Unbanlaced Presence Among Peoples of Color
5.4.3 Difference in Gender Casting
5.4.4 Wide Range of Professions
5.4.5 Middle Class Privileged
5.4.6 Unnamed and Inarticulated
5.4.7 Extensive Inter-racial Contact
Chapter 6 Representing "the Other" in White Sitcoms: A Qualitative Study of Seinfeld and Friends
6.1 White Skin Black Masks: Representations of Jewishness
6.2 Perfect "Bitch" : Women of Color
6.3 Winner or Loser: Colored Men
6.4 Witch Girl and Clown Boy: Colored Children
6.5 Normalcy, Stereotyping, and Racism
Chapter 7 Conclusion: Sitcom Situates Ethnidty
7.1 Knowledge Derived From the Study
7.2 Sitcom Situates Ethnicity
7.3 Implications for Future Sitcoms
7.4 Further Research
Bibliography
Appendix Ⅰ
Appendix Ⅱ

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