《Chinese Way of Thinking（中國(guó)人的思維）》講述了When t was a guest speaker in Germany in 1992， I said to the audiencethat the intercultural communication between East and West is notproportionately at the same level. For a Chinese professor or universitystudent in general can provide a name list of more than a hundred well-known figures in the Western history. Then， how many of the Chinesecounterparts from antiquity to the present could a German professor oruniversity student at large possibly know？ No more than a dozen， I guess.There are of course exceptions among the faculty members and students inthe departments of Sinology who surely know more. How come it is so？ Inmy opinion， it is mainly due to the fact that China has been in a passiveposition or "under attack" since the advent of the modern era， thus bearinga kind of eagerness to look into and learn from the West. In contrast， theWest has been in an active position， having far less need to know Chinabecause her existence would matter little to the Western mentality in thepast century or so. Such a situation corresponds more or less to that in the18th century when China assumed herself to be the center of the world andfelt no need to take any look at the West.
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圖書目錄
Preface Li Zehou Acknowledgements Introduction Section I Nature and Human Existence 1 A Rediscovery of Heaven-and-Human Oneness The Three-fold Significance The Two-dimensional Orientation A Pragmatic Alternative 2 Laozi on the Dao of Human Existence Frame of Reference: The Dao of Man, Heaven and the Sage PursuiL of Sageliness: Practical and Sagely Wisdom Path to Freedom: Attitudes toward Life and Death 3 Zhuangzi's Way of Thinking through Fables The Peng and Happy Excursion to the Infinite The Butterfly and Self-emancipation 4 Poetic Wisdom in Zen Enlightenment Revelations from Natural Scenes Natural Spontaneity as a Psychical Path A Poetic Way of Zen Enlightenment The Realm of SEInyat~ as Beauty Section II Harmony, Governance, and Warfare 5 Harmonization without Being Patternized The Meeting of East and West as a Good-natured Hypothesis Harmony and Uniformity in Perspective The Need of a New PhitosoplTos Poiesis 6 Humane Governance and Pragmatic Reasori Rule of Law as the Fundamental Basis Wise Leadership of Crucial Necessity The Pragmatic Reason in Question 7 No More Hiroshimas and Sharp Weapons A Poetic Reflection after Hiroshima A Philosophical Pondering over Sharp Weapons Section III Morality, Art, and Aesthetics 8 Confucius' Expectation of Poetry Poetry as a Social Discourse Sui Generis Poetry as an Aesthetic Discourse Sui Generis Poetry as a Moral Discourse Sui Generis 9 Aesthetic Criticism of Transculturality Beyond East and West: A Transcultural Transformation Aesthetic Education as a Critical Necessity （Meiyu Shuo） Art as a Refuge from Suffering （Jietuo Shuo） Art as Aesthetic Play for Freedom （ Youxi Shuo） The Artist as Creative Genius （ Tiancai Shuo） The Refined as the Second Form （Guya Shuo） The Theory of Poetic State par Excellence （ Jing]ie Shuo ） 10 The Theory of Art as Sedimentation Art as Sedimentation A Critical Consideration A Methodological Reflection 11 Appreciating Nature in View of Practical Aesthetics Three Levels of Aesthetic Experience Aesthetic Effects of Heaven-and-Human Oneness Selected Bibliography Glossary
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