當(dāng)代藝術(shù)理論前沿：美國前衛(wèi)藝術(shù)與禪宗

（一）專輯：美國前衛(wèi)藝術(shù)與禪宗／001
American Avant-garde and Zen Buddhism
編者按／001
第三種思想：導(dǎo)言亞歷山大·門羅／003
The Third Mind：Introduction by Alexandra Mtmroe
東方主義、南亞與世界宗教的話語理查德·金／029
Orientalism，South Asia，and the Discourse of World Religions by Richard King
心靈的風(fēng)景：自然的新觀念 凱瑟琳·派恩＆D．斯科特·阿特金森／043
Landscapes ofthe Mind：New Conceptions of Nature by Kathleen 15，ne and D．ScottAtlanson
戰(zhàn)后抽象藝術(shù)的亞洲維度——書法與玄學(xué)　伯特·溫特一玉木／064
The Asian Dimensions of Postwar Abstract Art：Calligraphy and Metapbysics by Bert Win ther Tamala"
佛教和新前衛(wèi)——?jiǎng)P奇禪、披頭禪和禪亞歷山大·門羅／087
Budd his mand the Neo·Avant Garde：Gage Zen，Beat Zen，and Zen by Alexandra Munroe
感性經(jīng)驗(yàn)的藝術(shù)——純粹抽象與狂喜的極少主義　亞歷山大·門羅門21
Art of Perceptual Experience：Pure Abstraction and Ecstatic Minimalism by Alexandra Mutrroe
（二）社會(huì)圖像的藝術(shù)門45
Art of Social Image
將集體主義階段化布萊克-史汀生　格里高利·修列門45
Periodising Collectivisim by Blake Stimson Gregory Sholette
（三）訪談門60
Interview
文化的游牧性很重要——阿基萊·伯尼托·奧利瓦訪談門60
It’svery important for Nomadizing of Culture：ZhuQito Interview With Achille Bonito Oliva
（四）當(dāng)代藝術(shù)門72
Art History and Criticism
西方藝術(shù)史學(xué)批評（上）王瑞蕓門72
Criticism on Western Historiography ofArt by Wang Ruiyun
中國當(dāng)代藝術(shù)90年代后的國際化及其問題朱其／209
Internationalization ofChinese Contemporary Art and Its Problem in the 1990s by Zhu Qi
（五）書評／227
Renew
《塞尚及其畫風(fēng)的發(fā)展》評述諸葛沂／227
Commentary of Roger Fry’s C6 zar me：A Study of His Development by Zhuge Yi
《1 985年以來的當(dāng)代藝術(shù)理論》評述王文婷，234
Review on Theory in Contemporary Art Since 1985 by Wang Wenting