Wu Zuguang， a leading dramatist and director from Wujin， Jiangsu Province， once studied at the Peking China - France University. After the founding of New China in 1949， he became playwright-director of the Central Film Bureau; playwright of the China Drama School Experimental Peking Opera Troupe， China Drama Research Institute， Playwright Office of the Ministry of Culture， and Beijing Peking Opera Theater; member of the Fourth Committee of the China Federation of Literary and Art Circles and the Standing Committee of the Third Committee; vice-chairman of the Fourth Committee of the China Theater Association， and member of the Fourth Committee of the China Writers Association. He was a member of the Fifth and Sixth CPPCC National Committees.Huang Zuolin was born in Tianjin. In 1925 he went to the UK to study business， and started to learn drama there. He once studied with George Bernard Shaw， the British drama master. In 1935 he returned to Britain with his wife Jin Yunzhi， and studied Shakespeare at King's College Cambridge. He also learned directing at the London Academy of Dramatic Art. During the nearly 60 years of his artistic career， he directed over 100 stage plays and films. In 1988 he was honored with a Lifetime Award for Directing and Rejuvenating Stage Plays by the China Stage Play Research Institute.Mei Shaowu， formerly known as Mei Baozhen and second son of Mei Lanfang， master of the art of Peking Opera， graduated from the Yenching University. He was member of the Sixth， Seventh， Eighth and Ninth CPPCC National Committees， honoary president of the China Mei Lanfang Memorial Hall and chairman of China Mei Lanfang Culture and Art Research Society， and successively cadre in the International Exchange Office of the National Library of China and research fellow of the Institute of the United States of the Chinese Academy of Social Sciences. Mei Shaowu was also a famous translator of British and American literaure， critic， dramatist and writer. In 2004 he was given the honorary title of senior tranlator by the Translators Association of China.
圖書目錄
Wu Zuguang PEKING OPERA--A COMPREHENSIVE ART FORM THE ORIGIN OF PEKING OPERA SYMBOLISM IN ACTING MUSIC， DIALOGUES AND SONGS DIFFERENT TYPES OF ROLES MAKE-UP， COSTUMESAND PROPS MEI LANFANG--THE GREAT MASTER OF PEKING OPERA BORN TO A FAMILY OF ACTORS BOTH SUCCESSOR AND PIONEER SECRET OF HIS SUCCESS ATTRACTIVE PERSONALITY MEI LANFANG， STANISLAVSKY， BRECHT-- A STUDY IN CONTRASTS Huang Zuolin ENDLESS SEARCH FOR NEW THEATRICAL TRUTHS SALIENT FEATURES OF TRADITIONAL CHINESE THEATER BRECHT'S THEORY OF DRAMA IN CO STANISLAVSKY'S COMMON FEATURES OF THREE GREAT MASTERS OF REALISM THE MOST BASIC DIFFERENCE AN APPRECIATION OF MEI LANFANG'S ART DIFFERENT DRAMATIC CONCEPTS AND METHODS BRECHT'S ADOPTION OF CHINESE THEATRICAL TECHNIQUES AN INTERESTING QUESTION OF GOOD OR BAD ACTING TECHNIQUES OF CHINESE TRADITIONAL ACTING INNER CHARACTERISTICS OF CHINESE THEATER REFLECTIONS ON MY STAGE LIFE Mei Lanfang MY FIRST APPEARANCE ON THE STAGE HOW I PLAY IN MY TWO FAVORITE OPERAS MY NEW OPERA MU GUIYING TAKES COMMAND ARTISTIC PERCEPTION AND JUDGEMENT MEI LANFANG AS SEEN BY HIS FOREIGN AUDI CRITICS Mei Shaowu EARLY EFFORTS TO POPULARIZE PEKING OPERA AMON AUDIENCES FIRST PERFORMANCE BEFORE A FOREIGN AUDIENCE VISITS TO JAPAN ENTERTAINING FOREIGN GUESTS AT HOME， PROPOSAL FOR U．S． TOUR SUCCESSFUL U．S． TOUR AMERICAN HOSPITALITY SENTIMENTS OF THE AUDIENCES MEILANFANG IN THE EYES OF U．S． CRITICS "HIGHEST POINT IN THE SEASON'S THEATER" "GREEKAND ELIZABETHAN PARALLELS" "DEXTEROUS REALISM" "ACTOR， SINGERAND DANCER COMBINED" "AMBASSADOR OF CHINESE CULTURE" A GREAT STAGE SUCCESS IN THE SOVIET UNION (1935) PRESS COMMENTS SWAPPING EXPERIENCES STANISLAVSKY'SINTERPRETATION EISENSTEIN'SAPPRAISAL FRIENDSHIP WITH TAGORE WITH BERNARD SHAWAND PAULROBESON A GUIDE TO PEKING OPERA 1． THE TYPES OF ROLES 2． SINGING AND DECLAMATION 3． PANTOMIME AND ACTING 4． COSTUMES 5． STAGE PROPERTIES AND SYMBOLISM 6． MUSICAL INSTRUMENTS APPENDIX： SYNOPSES OF 25 PEKING OPERAS THE ORPHAN OF THE ZHAOS THE GENERALAND THE MINISTER ARE RECONCILED BEAUTY DEFIES TYRANNY THE KING'S PARTING WITH HIS FAVORITE ZHAOJUN CROSSING THE FRONTIER THE EMPTY CITY RUSE THE CROSSROADS THE WHITE SNAKE HAVOC IN HEAVEN YANDANGMOUNTAIN THE DRUNKEN BEAUTY THE HEROINE SHE SAIHUA MU GUIYING TAKES COMMAND QIN XIANGLIAN， THE FORSAKEN WIFE CALLING OFF THE FEAST WILD BOARFOREST THE FISHERMAN'S REVENGE AUTUMN RIVER PICKING UPAJADE BRACELET CHUN XIANG UPSETS THE STUDY THE FAIRY OF AZURE LAKE SELLING WATER DONATING A PEARL ON RAINBOW BRIDGE LADY MAGNOLIA ROMANCE OF AN IRON BOW INDEX
鄂公網(wǎng)安備 42010302001612號(hào) 