“中華之美”叢書圍繞中華優(yōu)秀傳統(tǒng)文化這一主題，擇取其中15個(gè)專題分別加以介紹。這15個(gè)專題，包括以思想、智慧、藝術(shù)為主的“無形遺產(chǎn)”，以工藝、器物為主的“有形遺產(chǎn)”，以衣食住行樂為主的“民俗生活”，它們精心構(gòu)架，有機(jī)結(jié)合，勾勒出中國文化的一個(gè)總體面貌，并反映出“中華文化的理念、智慧、氣度、神韻”。 中國是世界著名的四大文明發(fā)祥地之一。今天的中國大地上，仍然保存著數(shù)量巨大、種類繁多的古代文明遺跡遺物。這些存留至今的珍貴文物，時(shí)代跨越了上下約7000年，集中體現(xiàn)了中國文明的源遠(yuǎn)流長和博大精深。本書選擇中國文物中具有代表性的12大類進(jìn)行介紹，包括陶器、青銅器、玉器、雕塑、金銀器、瓷器等。它們以各自獨(dú)特的方式，銘刻了歷史長河中一個(gè)個(gè)不可復(fù)制的瞬間。讓我們一起穿越時(shí)空的遂道，以這些古代文物為標(biāo)識，去探尋中國文明的發(fā)展軌跡。 China is the birthplace of one of the four greatest civilizations in the world， hence those cultural relics which， in huge quantities and immensely rich varieties， have always been fascinating. These cultural relics were produced during different periods of the Chinese history， over well over 7，000 years. They are gems of the Chinese civilization. This book gives a brief account of 8 types of cultural relics unearthed in China so far， including pottery， porcelain， jade and bronze. These are seen as the most representative of the Chinese culture， each in its own way providing a glimpse into ancient China.
作者簡介
李力，畢業(yè)于北京大學(xué)歷史系，中國考古學(xué)會會員，現(xiàn)任國家文物局文物出版社《文物》月刊副編審。著有《華夏之美——中國藝術(shù)史圖鑒》（合著）、《中華文明史？第三卷？秦漢美術(shù)》、《中國文化通志——魏晉南北朝文化志》（合著）、《文物與美術(shù)》（合著）等。 Li Li， born in Jilin Province in 1952. Graduated from the Department of History， Peking University. Member of the China Archaeology Society， associate editor of the monthly Cultural Relics published by the National Bureau of Cultural Relics of China. Co-author of Beauty of China—an Illustrated History of the Chinese Arts， co-author of Art of Rule by Using the Pen and the Sword， author of Fine art of the Qin and Han Dynasties， Vol. 3， History of the Chinese Civilization， coauthor of Cultural Events of the Wei-Jin-Southern-Northern Dynasties， in General History of the Chinese Culture， co-author of Cultural Relics and Fine Art.
圖書目錄
Foreword Painted Pottery Origin of Pottery Art Development of Painted Pottery Painted Pottery of the Yangshao Culture Prehistory Pottery Later than Those of the Yangshao Culture Jade Artifacts “Beautiful Stones” and Jade Jade Artifacts of the Xinglongwa Culture and Hongshan Culture Jade Artifacts of the Liangzhu Culture Jade Carvings of the Shang-Zhou Period Funerary Objects of Jade The Bloom of Jade Artifacts Bronze Ware Bronze Technology Bronze Sacrificial Utensils Decorative Designs and Inscriptions on Bronze Ware Animal-shaped Bronze Vessels and Bronze Human Figures Bronze Weapons, Helmets and Shields Porcelain Porcelain of the Six Dynasties Porcelain of the Sui-Tang Period Porcelain Kilns of the Song Dynasty Blue and White Porcelain of the Yuan Dynasty Painted Porcelain of the Ming-Qing Period Sculpture Tomb Figurines Mausoleum Sculptures of Stone Grotto Temples and Formative Art of Buddhism Painting The Origin of the Art of Painting Paintings of the Han and Jin Dynasties Painting Style of the Sui-Tang Period Painting Academy of the Song Dynasty The Literati Paintings in the Yuan, Ming and Qing Dynasties Furniture Furniture before the Han Dynasty Development of “Furniture with High Legs” Ming-style Furniture Indoor Furnishing Arts and Crafts Gold and Silver Artifacts Lacquer Works Bamboo, Wooden, Ivory and Animal Horn Articles Artificially Shaped Gourds Embroidery Cloisonne Purple Clay Teapots The Collection and Preservation of Cultural Relics Collecting in the Flourishing Age Treasures Lost in the Troubled Times Arduous Task ahead for the Protection of Cultural Relics
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