“中華之美”叢書圍繞中華優(yōu)秀傳統(tǒng)文化這一主題,擇取其中15個專題分別加以介紹。這15個專題,包括以思想、智慧、藝術(shù)為主的“無形遺產(chǎn)”,以工藝、器物為主的“有形遺產(chǎn)”,以衣食住行樂為主的“民俗生活”,它們精心構(gòu)架,有機結(jié)合,勾勒出中國文化的一個總體面貌,并反映出“中華文化的理念、智慧、氣度、神韻”。 中國文學(xué)的歷史至少可以追溯到3000多年前。它包括一脈相承、綿延至20世紀(jì)初葉的古代文學(xué),也包括20世紀(jì)以來在文學(xué)觀念、內(nèi)容、語言諸方面已經(jīng)發(fā)生全方位轉(zhuǎn)型的現(xiàn)當(dāng)代文學(xué)。 本書簡要介紹了中國文學(xué)從古至今數(shù)千年的發(fā)展歷程,并以重點作家作品為中心,幫助讀者朋友去感受中國文學(xué)的美,并通過文學(xué)的視角,去了解文學(xué)所關(guān)照的中國人的生存狀況和內(nèi)在精神世界。 The history of Chinese literature can be traced to more than 3,000 years ago at least. It includes ancient literature before the early 20th century traceable to the same origin and modern and contemporary literature since the 20th century with fully changed literary concepts, contents and language. This book briefly introduces the course of Chinese literature’s development in the past thousands of years and focuses on key writers’ works to help readers feel the beauty of Chinese literature and learn about the existence and mental world of Chinese people in literary works.
作者簡介
李春雨,文學(xué)博士,北京語言大學(xué)教授、碩士生導(dǎo)師,主要從事中國現(xiàn)當(dāng)代文學(xué)與文化、漢語國際教育方面的教學(xué)和研究。近年來,先后在國內(nèi)社科核心期刊發(fā)表學(xué)術(shù)論文40余篇,并參與或主持完成多個省部級研究課題。代表性論著有《出版文化與中國文學(xué)的現(xiàn)代轉(zhuǎn)型》《北京文化的異域?qū)徱暋贰吨袊F(xiàn)代文學(xué)資料與研究》《曹禺評說七十年》《心靈的憩園——走進巴金的》等。2009—2010年,赴美國西點軍校外語系任教,并在日本、新加坡及臺灣、香港和澳門等國家和地區(qū)進行文化交流。 Li Chunyu, Ph.D., is a professor and M.A. supervisor at Beijing Language and Culture University, mainly engaging in teaching and research of Chinese modern and contemporary literature and culture and international Chinese education. In recent years, she published more than 40 academic essays in domestic core social sciences journals and participated in or completed as person in charge several provincial and departmental research projects. Representative works include Modern Transformation of Publishing Culture and Chinese Literature, Beijing Culture Examined from a Foreign Perspective, Chinese Modern Literary Materials and Research, Comments on Cao Yu in 70 Years, Resting Place for Spirit – Approaching Ba Jin’s The Family, etc.
圖書目錄
Foreword Overview of the Development of Chinese Ancient Literature Historical Course of Chinese Ancient Literature Main Characteristics of Chinese Ancient Literature Model Essays Prose of Various Pre-Qin Schools of Thought Sima Qian and Records of the Grand Historian Eight Great Prose Masters of the Tang and Song Dynasties Splendid Poetry The Book of Songs: The First Collection of Poems Qu Yuan: Romantic Lyric Poems Tao Yuanming: A Hermit’s Pastoral Poems Poet Immortal Li Bai Poet Sage Du Fu Bai Juyi and “New Yuefu” Beautiful Ci Poetry Su Shi: Creating a New State of Ci Poetry Li Qingzhao and Graceful and Restrained Ci Poetry Xin Qiji and Bold and Unconstrained Ci Poetry Late Maturity of Drama Great Yuan Drama Writer Guan Hanqing Romance of the West Chamber, a Never-failing Drama Tang Xianzu’s Drama Legends Peak of Novels Historical Novel Romance of the Three Kingdoms Heroic Legend Water Margin Gods and Demons Novel Journey to the West Ghost Novel Strange Stories from a Chinese Studio Masterpiece Dream of the Red Chamber Overview of the Development of Chinese Modern and Contemporary Literature Historical Course of Chinese Modern and Contemporary Literature Main Characteristics of Chinese Modern and Contemporary Literature Modern Novels: Echoes of the Times Lu Xun: Founder of New Literature Ba Jin and His “Torrents Trilogy” Lao She and His Beijing Civil Society Shen Congwen’s World of West Hunan Eileen Chang’s Life Legends Modern Poetry: Looking for Its Own Voice Guo Moruo: Destruction and Creation Xu Zhimo: Crescent Moon Poetry Ai Qing: A Modern Poem Rooted in Earth Mu Dan: Abundance and the Pain of Abundance Modern Stage Plays: Transplantation and Development Cao Yu: Born for Drama Tian Han: Drama like Life New Period – New Trends of Poetry The Rise of “Obscure Poetry” Bei Dao: A Rational Poet Gu Cheng: A Fairy Tale Poet Hai Zi: The Catcher in the Rye New Period – Diversified Novels Jia Pingwa and Root-seeking Novels Yu Hua and Vanguard Novels Su Tong and New Historical Novels Mo Yan and Hallucinatory Realism Concluding Remarks: New Trends of Literature in the New Century