Chapter 1 PHOTOGRAPHY Realism and Formalism The Shots The Angles Light and Dark Color Lenses, Filters, and Stocks The Digital Revolution The Cinematographer Further Reading
Chapter 2 MISE EN SCÈNE Composition and Design Territorial Space Proxemic Patterns Open and Closed Forms Further Reading
Chapter 3 MOVEMENT The Moving Camera Mechanical Distortions of Movement Further Reading
Chapter 4 EDITING Continuity D. W. Griffith and Classical Cutting Soviet Montage and the Formalist Tradition André Bazin and the Tradition of Realism Further Reading
Chapter 5 SOUND Historical Background Sound Effects Music Musicals Spoken Language Further Reading
Chapter 6 ACTING Stage and Screen Acting The American Star System Styles of Acting Casting Further Reading
Chapter 7 DRAMATIZATION Time, Space, and Language The Director Settings and Décor Costumes and Makeup Further Reading
Chapter 8 STORY Narratology The Spectator The Classical Paradigm Realistic Narratives Formalistic Narratives Nonfictional Narratives Genre and Myth Further Reading
Chapter 9 WRITING The Screenwriter The Screenplay North by Northwest:he Screenplay Figurative Comparisons Point of View Literary Adaptations Further Reading
Chapter 10 IDEOLOGY The Left-Center-Right Model Culture, Religion, and Ethnicity Feminism Queer Cinema Tone Further Reading
Chapter 11 CRITIQUE Theories of Realism Formalist Film Theories The Auteur Theory Eclectic and Synthesizing Approaches Structuralism and Semiology Historiography Further Reading
Chapter 12 SYNTHESIS: Citizen Kane Photography Mise en Scène Movement Editing Sound Acting Dramatization Story Writing Ideology Critique Further Reading
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