花間聽鳥鳴（漢英明信片）

　　花鳥畫，是中國傳統(tǒng)的三大畫科之一?；B畫描繪的對象，實際上不僅僅是花與鳥，而是泛指各種動植物，包括花卉、蔬果、翎毛、草蟲、飛禽等類。五代以前，花鳥畫基本是作為人物畫的背景點綴。五代時期之后花鳥畫也開始逐漸取得其獨立性畫科的地位。對花鳥自身藝術(shù)之美的追求在兩宋時期達(dá)到了高峰。崔白、趙佶、李嵩、文同等人的作品不僅將花鳥塑造為藝術(shù)審美的對象，也成為了人們認(rèn)知世界的來源。此時，宮廷的花鳥畫大多以祥瑞寓意為主，而宮外的文人、民間繪畫更強調(diào)花鳥畫的人格之美。元代花鳥畫也是文人繪畫的主流之一，其中“四君子”題材尤為典型，是文人表達(dá)心中逸氣和高雅之志的藝術(shù)通道。明代初期，曾經(jīng)在文人群體中流行的水墨寫意花鳥畫進(jìn)入宮廷，突破了原有的精工富麗的形式。而后，沈周、陳淳、徐渭等人更是將寫意花鳥推向極致。清代，寫意花鳥和工筆花鳥發(fā)展到了各自的極致。前者以八大山人和惲壽平為代表，分別展現(xiàn)了水墨造型的靈動和沒骨花卉的清新淡雅，后者則在郎世寧為首的西法影響之下，進(jìn)入對真實事物的極致再現(xiàn)。統(tǒng)而觀之，中國傳統(tǒng)花鳥畫不僅僅是視覺藝術(shù)的呈現(xiàn)，更是古人觀照自然、感受真實、融入世界的載體。本產(chǎn)品包含26張精美明信片。Bird-and-flower painting is a kind of traditional Chinese painting that focuses on animals and plants including flowers， grass and insects， birds and beasts， vegetables and fruits， and aquatic animals. It was once reduced to the background of figure painting before the Five dynasties， and gradually gained its disciplinary independence afterwards.The pursuit of aesthetics in bird-and-flower painting reached its peak.During the Yuan dynasty （1271-1368）， bird-and-flower painting dominated the literati painting. Represented by subject matters of “Four Gentlemen”， namely plum blossom， orchid， bamboo， and chrysanthemum， it served as a pathway for the literati to express their inner transcendence and elegance. By the Ming dynasty （1368-1644）， the court technique was extended from fine brush to freehand brush， thanks to professionals including Shen Zhou， Chen Chun and Xu Wei， among all the others. During the Qing dynasty （1636-1912）， both of the two approaches grew to their fullest.

暫缺《花間聽鳥鳴（漢英明信片）》作者簡介